Enchanted Lotus ReverieIn this latest stroke of improvised genius from Professor Yang Junyu, the canvas awakens as a submerged dreamscape where ink and color collide in a symphony of aquatic grace. Bold, obsidian reeds thrust upward like ancient sentinels guarding hidden depths, their jagged edges slicing through veils of sapphire mist that swirl and dissolve into the ether. From this shadowy embrace erupt clusters of crimson lotuses—petals unfurling in defiant splendor, their ruffled edges blushing with the fiery pulse of dawn's first kiss, heavy with dew that seems to quiver on the page.Below, in the rippling undercurrents, twin koi carve paths of rebellion: sleek bodies of molten scarlet, fins flaring like flames in the gloom, tails whipping arcs of ebony shadow as they dart through submerged realms. One glides with poised elegance, scales shimmering in subtle ink gradients; the other twists in playful defiance, mouth agape as if whispering secrets to the current. Vast expanses of untouched rice paper breathe around them—silent invitations to wander the unseen, where every void hums with the philosophy of flux: harmony in chaos, eternity in a fleeting brush. Scripted in fluid calligraphy across the upper void—"Lotus emerges from mud, yet unstained"—it seals the spell with Yang's crimson stamp, a testament to creation's raw alchemy. Born in the heat of the moment, this piece doesn't just depict a pond; it drowns you in its living pulse, echoing the timeless dance of Zen and wilderness. Pure, unbridled ink poetry.